This year marks 50 years since Montreal hosted the 1976 Olympics. Given that these Olympics were the first Summer Olympics after the massacre of 11 Israeli athletes at the 1972 Munich Olympics, the Jewish community felt it important to hold a memorial service. At 7:00 PM on July 12, 1976, less than a week before the Summer Olympics in Montreal, a memorial organized by the Jewish Community of Canada (chaired by Allan Bronfman) was held at the Shaar.
The memorial was open to the public, and notices were published in both French and English newspapers.
The Shaar’s Archives has a copy of the service programme. The service was officiated by Rabbi Gunther Plaut, Rabbi of Toronto’s Holy Blossom Temple. Other participants included the Shaar’s Rabbi Shuchat, Israeli Ambassador Mordecai Shalev, and the Shaar’s Cantor Joseph Gross.
Perhaps most notably, the Right Honourable Pierre E. Trudeau, then Prime Minister of Canada, took part in the ceremony, reading out an excerpt from Psalms. Trudeau was moved by the ceremony, and many reports noted that he openly wept during the memorial service.
The Shaar’s Archives also has the seating plan for the evening, which notes many other notable people in attendance including Quebec Premier Robert Bourrassa, Montreal mayor Jean Drapeau, and International Olympic Committee chair Lord Killanin, among many others.
The Montreal Gazette initially reported over 1,800 people in attendance. Later reports suggested as many as 5,000 people attended, with overflow rooms set up in the Shaar’s other halls, where video reception was set-up. Honoured attendees included massacre survivor Esther Roth, the widows and relatives of three of the murdered athletes, as well as 60 members of the 1976 Israeli Olympic team.
Security for the memorial service was heavy. The building was sniffed by three RCMP dogs for explosives before the Israeli athletes arrived. Moreover “a Canadian Armed Forces helicopter hovered overhead and combat-ready stood guard around the synagogue” and plainclothes policemen where stationed throughout the building.
The Shaar’s September 1976 bulletin notes that the memorial took place following “the refusal of the Olympics authority to include a two minute ‘silence of memorial’ at the opening ceremonies of the Montreal Olympics.” As we now know, it would be many, many decades until the International Olympic Committee would memorialize the massacre during active Olympic events.
From June 21 to 25, Shaar Archivist Hannah Srour-Zackon was in Evanston, Illinois, at the annual Association of Jewish Libraries (AJL) conference, which brings together professionals working with Jewish collections in libraries and archives around the world.
Hannah gave a presentation about the Shaar’s archives, in particular about the papers of Cantor Nathan Mendelson z”l (“The Hazzan in the Archive: Processing the Papers of Cantor Nanthan Mendelson”), which were donated to our archives last year. The presentation was received with great interest and sparked conversations about how the papers of other cantors as well as hazzanut-related collections are being preserved and used around the world. During the conference Hannah was also re-elected for a second term on AJL’s board as Vice-President for Development
Nathan Mendelson was the Shaar’s longest serving hazzan, hired in 1938 and retired after 35 years in 1973. He remained emeritus until his sudden passing on Rosh Hashanah in 1977. In addition to playing a fundamental role in shaping the synagogue’s music for a quarter century, he was very active in hazzanut circles both locally in Montreal and internationally. He served as President of the Montreal Jewish Music forum and Montreal Jewish Music council, Vice-President of the Montreal Cantors Council, and, most notably, President of the Cantors Assembly of America. He composed many original pieces, some of which he wrote with his wife Mae Chazin Mendelson (herself from a cantorial family), a graduate of Julliard’s School of Music. Cantor Mendelson also taught adult education classes throughout the Montreal Jewish community and served as the official mohel of the Shaar. After his death, his family established the Hazzan Nathan Mendelson Music Foundation in his memory for the synagogue to fund Jewish music and cantorial initiatives, recordings, and events.
The goal of ‘Jewish Libraries Around the World’ is as follows:
There are hundreds of magnificent Jewish libraries, collections, and archives that can be found in colleges, universities, day schools, community centers, and synagogues. They contain rare books, unique book collections, ephemera, beautiful art, and much more. However, until now there has been no central location where an interested person can learn about the breadth, beauty, and history of these institutions.
With the generous support of the Harris Family Private Foundation, the Association of Jewish Libraries is creating a searchable web portal featuring these treasures. Each participating institution has a page outlining its work, history, and unique collections.
The new ‘Shaar’ page features the history of the synagogue, our archives, highlights from among our collections, programs, and more! It also situates our collections among an international network of important and notable Jewish collections. A big thank you to Jerry Krautman, AJL’s Development Consultant, who helped us design and develop our page.
1949 Hebrew and Religious School Graduating Class. Leonard Cohen is in the far right of the front row
The Shaar’s archives regularly receives a diverse range of research questions. One of the most frequent subjects we are asked about is Leonard Cohen, whose ties to our congregation run generations deep. Over the past few years, there have been several very interesting projects which draw upon the Shaar Hashomayim’s archives.
In this first edition of a new series called “Ask the Archivist”, with Shaar Archivist Hannah Srour-Zackon, we will be featuring the kinds of questions we receive and how people use our collections. This time we are showcasing:
How are our collections used for Leonard Cohen-related research?
Little People, Big Dreams: Leonard Cohen (2024)
In 2023, I was contacted by Frances Lincoln Children’s Books (an imprint of Quarto Books) to consult on an upcoming book on Leonard Cohen as part of their bestselling Little People, Big Dreams series. They asked many detailed questions about our synagogue and I was impressed by their care to ensure accurate depiction of Leonard Cohen’s childhood and Jewish upbringing within the Shaar. I shared with them archival photographs from our collections for reference as well as historical details.
The book, published in 2024 in both English and French, is beautiful. The attention to detail emerges in such things as a young Leonard Cohen’s ripped tie while sitting shiva for his father – a nod to the Jewish custom to wear torn clothing (kriyah) during the period of mourning.
They have also captured the Shaar’s typical dress for a Shabbat service from this era among other things. One detail I especially like is their drawing of a rabbi speaking from the lectern in the sanctuary a as a young Leonard sits during services. The rabbi in question is a rendering of then-Shaar rabbi, Rabbi Dr. Herman Abramowitz (pictured below), illustrated based on the Shaar’s photograph collection.
This was a fascinating project to have been involved with – as an expression of gratitude. The Shaar’s archivist is thanked in the acknowledgments on the copyright page: “Grateful thanks to Hannah Srour-Zackon for her consultation”.
So Long, Marianne (2024)
In the summer of 2023, the limited series So Long, Marianne, about the relationship between Leonard Cohen and Marianne Ihlen, was filming in Montreal, starring Alex Wolff as Leonard Cohen. The production team reached out to us with a unique request: to give a tour of the Shaar to Alex Wolff and show him some Leonard Cohen-related materials in our collections to gain a sense of his childhood in our community. Hannah Srour-Zackon, Claire Berger, and Carole Rocklin provided the tour to Alex Wolff—who came completely in character as Leonard Cohen. We showed him “his” graduation picture, the bulletin from “his” bar mitzvah as well as mentions of “him” in other bulletins, and some of the prayer books belonging to grandfather Lyon Cohen.
Spot Claire & Hannah in the background of a scene in episode 7!
Later, we were invited to the set to watch a scene being filmed on the McGill University campus, and even sat in the audience as extras. So Long, Marianne premiered in 2024 and is available to watch on Crave in Canada.
“A Tale of Two Cohens: Purim in Montreal”
Leonard Cohen (front row centre) dressed as a waiter in the Shaar’s 1947 Purim spiel
In 2022, after a chance interaction on X (formerly Twitter), Hannah Srour-Zackon was invited to write a Purim-themed article for the Jewish Review of Books using materials in our archives. The final piece was published on the online edition in March and is built around materials in our archives relating to a Purim spiel performance a young Leonard Cohen was a part of in 1947, and an earlier Purim spiel which his grandfather Lyon Cohen wrote and and in which he starred in 1885.
In September 2023, prominent Canadian Jewish artist Yehouda Chaki z”l passed away at the age of 84. Among the many wonderful contributions to art in Canada, Chaki, a long-time member of our own Shaar community, was behind the design of the two beautiful tapestries sewn by the Sisterhood, depicting scenes from Bereshit, which hang in our building. This week, as we begin another Torah reading cycle on Simchat Torah, we pay tribute to Yehouda Chaki and the two tapestries.
In The Beginning
The first Chaki-designed tapestry, “In The Beginning”, was unveiled by the Sisterhood in 1982 and took two and a half years to complete. In the fall of that year, at the reception preceding the Slichot services, the Sisterhood sponsored a vernissage of the tapestry as part of the Westmount Arts Festival. This was the first public viewing of the tapestry, and was attended by guests and officials of the City of Westmount, along with Sisterhood members who made squares in the tapestry and Yehouda Chaki himself
Let There Be Light
In 1992, in time for the Congregation’s 145th anniversary, the Sisterhood unveiled its second needlepoint tapestry designed by Yehouda Chaki titled, “Let There Be Light”. This was another great undertaking by members of the Sisterhood who each completed squares of the tapestry. The Committee for this project was chaired by Mildred B. Lande, C.M., and Carol Koffler.
With Remembrance Day around the corner, this week we pay tribute to a member of our community- Rabbi Dr. Samuel Cass z”l (1908-1975)—who served as army chaplain to Canadian Jews in World War II and was for many years the Rabbi of the community hall service at the Shaar.
Born in Toronto, Rabbi Cass gradated from the Jewish Theological Seminary in 1933 after which he served congregations in Vancouver and Seattle before World War II. He would also occasionally substitute for Rabbi Herman Abramowitz at the Shaar during the latter’s summer vacation. His relationship to the Shaar was cemented when he married Annabel Goldfine who was also of the synagogue’s community.
In 1942, Rabbi Cass along with Rabbi Gershon Levi (a past educational director of the Shaar) were named as the two full-time Senior Jewish Chaplain to the Canadian Armed Forces, with Rabbi Cass stationed at home. Later, in 1944, Rabbis Cass and Levi swapped positions, and Rabbi Cass was sent overseas. Among his many services to Jewish soldiers, he oversaw religious services and holiday celebrations. In 1944, he organized a Chanukah party in Antwerp for soldiers as well as for 250 local children.
In March of 1945, he held a service in Kleve, Germany outside the Reichswald Forest – which in February of that year had been the site of the Battle of the Reichswald fought by Canadian and British forces (allied victory). Following this Battle, it became the site of the largest Commonwealth cemetery in Germany.
Rabbi Cass’ service was to make its mark beyond his chaplaincy services to Canadian soldiers – in that same year, he was the first Jewish chaplain to enter concentrations camps which were liberated by the Canadian Army and played an instrumental role in rehabilitating the survivors, and in helping Belgium and Dutch Jewry.
After the War, he was honourably discharged with the rank of Major and would then go on to work for many years as the Director of Hillel before his tragic death in 1975.
“Yom Kippur will never be the same again,” begins a message written by Rabbi Wilfred Shuchat in 1973. This year we mark the 50th anniversary of the outbreak of the Yom Kippur War, one of the greatest threats to the State of Israel since its independence in 1948. There to bear witness to the conflict was none other than Rabbi Shuchat, who wrote back messages to the Congregation as it unfolded (full letters at the end).
Rabbi Shuchat was honoured with a sabbatical soon after celebrating 25 years with Shaar Hashomayim and went with his family to spend the year (from July 1973 through the summer of 1974) in Jerusalem. Though Rabbi Shuchat returned to Montreal for Rosh Hashanah and Yom Kippur, he went back to an Israel embroiled in war.
The words Rabbi Shuchat wrote in his messages to the Congregation as the Yom Kippur War progressed deeply reflect the severity of the situation, while also foreseeing its lasting impact and significance. “For the past two weeks I have been living in the very center of those dramatic events that will determine Jewish history for the future and will certainly have a momentous effect upon the course of the world.”
Writing on October 23rd, 1973, just two days before it officially came to an end, Rabbi Shuchat offered three conclusions to be drawn from the War as Israel, the Jewish Diaspora, and the world moves forward, the third of which is a resounding and heartfelt declaration of the bond between Israel and the Diaspora as one Jewish people.
This Fall will mark 75 years since the Rabbi Herman Abramowitz Building (Educational Annex) was formally dedicated. As we gear up for back-to-school we’re looking back on the day the school building was officially opened.
The educational centre was a longtime the goal of Rabbi Herman Abramowitz, who was a strong advocate for Jewish education. In the years leading up to it’s opening, the Shaar’s Westmount building (which had been built just 26 years prior) was already bursting at the seams and the need for additional space for the synagogue’s educational activities was abundantly clear. While World War II did delay progress, by the time the Shaar’s centennial year in 1946-7 the necessary funds were secured.
On October 31, 1948, the building officially opened following a beautiful dedication ceremony during which then Shaar President Moses J. Heillig was presented with a commemorative silver trowel.
Unfortunately, Rabbi Abramowitz would not live see the building’s completion as he passed away after a long illness in October 1947. However, his legacy of dedication to Jewish education as the building was dedicated in his name.
It’s been a very interesting week for us at the Shaar Archives and Museum! On Monday, we were visited by Simcha Shtull, who is in Montreal filming a documentary about the stained-glass windows of the old Shomrim Laboker synagogue building on St. Dominque, one of which is in the Shaar’s Museum collection. For the documentary, our archivist Hannah Srour-Zackon was interviewed about the window, the history of the Shaar, and the importance of preserving Jewish history.
The Shtull family purchased the Shomrim Laboker building in the 1950s (when the synagogue moved to Plamondon and Westbury) and used it for their egg and butter distribution business. When the business closed, the stained-glass windows all ended up in different places. For the documentary, Simcha Shtull is tracing the journey of each of the windows. We are so excited to be a part of this story and look forward to seeing the documentary when it’s finished!
As we approach the end of June, students of all ages are celebrating graduations from elementary schools, high schools, CEGEPs, and universities. Throughout the years the Shaar has hosted various ceremonies of this kind and I will highlight a few of them in this post.
This picture shows, from left to right, Rabbi Wilfred Shuchat; Rabbi Dr. Louis Finkelstein, chancellor of the Jewish Theological Seminary; and Nahum Gelber, honorary past president of the synagogue. It was taken at the JTS convocation that the Shaar hosted on April 23, 1972, as part of the 125th anniversary celebrations of the congregation. At this ceremony, His Excellency the Right Honourable Roland Michener, Governor General of Canada, received an honorary Doctor of Laws from the JTS chancellor. It also featured Saidye Bronfman and Hon. Lazarus Phillips becoming fellows of the JTS Society of Fellows. Over a thousand people attended this ceremony, as can be seen in the picture above.
The above picture is a program from the dedication service of the Rabbi Herman Abramowitz Building which functioned as an Educational Annex. It now houses Akiva School but used to be a Sunday and afternoon Hebrew school administered by the Shaar. The congregation decided to build this annex, which was dedicated in 1948, to expand the size and increase the quality of the synagogue’s educational space.
These pictures are of the graduating classes of the Hebrew school from 1931 and 1960 (donated recently by Ron Vineberg), respectively. The graduates would have been around fifteen and had the option to continue attending classes at the Shaar during their high school years. You can find lots more of these graduation pictures up along the walls in the synagogue building today.
The above image is the diploma of Ronald Vineberg, a former student at the Hebrew school and lifelong member of the congregation. This is one of many documents kindly donated by Ron Vineberg to the synagogue’s archives which are helping to fill gaps in our collection.
Here we can see an image from a Hebrew school graduation ceremony from sometime in the early twentieth century.